Of the new stuff, the Sonnox Restoration plug-ins demonstrate good pedigree, although they're simpler, both visually and in feature-set, than the full Sonnox Restore editions.Īlso surprisingly good is the Batch Processor, which now lets you limit the CPU resources (number of cores) that it uses - that's great for background processing. Combined with the option to drag files (or selections) between workspaces, WaveLab 7 is probably the most flexible environment we've used. You'll also find you can have multiple workspaces of the same type open. For example, the floating switcher bar enables quick movement between workspaces, plus opening of files. In use, this all adds up to a better experience. So, you can now master and transfer electronically to the manufacturer without the need to burn discs. This revamp improves stability and also supports DDP (Direct Description Protocol). WaveLab 7's disc-burning engine is all-new. There are 13 offline processes that can be applied too. These deal with hiss, pops/clicks and hum respectively, and are available as inserts in all workspaces (including Batch). In addition there are 15 other plug-ins, including three restoration tools from Sonnox: DeNoiser, DeClicker and DeBuzzer. Cubase users will recognise the RoomWorks reverb plug-in, while Nuendo's PostFilter is also here. There is some functional crossover between the two (both have ten master plug-in insert slots), and you can drag files between them, but in practical terms, they suit different jobs.Ĭomplementing the four main workspaces is the Control Window, designed for sub-hosting certain information (meters, for example), and most useful for those with two displays.Īs you would expect, WaveLab 7 includes new plug-ins and now features over 30 VST3 effects from Steinberg's DAWs. The Batch Processing and Podcast workspaces are quite task-specific, while Audio File and Audio Montage both deal with audio file editing, but from slightly different perspectives.Īudio File is for simple offline editing of individual files, while Montage features more complex layering of tracks (potentially over 1000) and incorporates more flexible real-time effects. You can save the results as a custom layout, if you like. You can load these up from a number of presets and customise them considerably by adding tabbed and floating windows, as well as rescaling and re-jigging the various elements. In the four years since WaveLab 6, Steinberg have been busy not only developing for OS X, but also pulling together existing WaveLab features into four dedicated workspaces. You'll also find Loudness Envelope and Spectrum Display views, and the latter combines with the Spectrum Editor for frequency-specific editing. Other aspects, such as metering and analysis, have grown to include lots of real-time and offline options, ranging from Oscilloscope and K-System level meters (real-time) to Loudness Distribution and 3D Frequency Analysis (offline). Editing can be either destructive or non-destructive, and the Audio Montage window enables you to apply clip-specific and master effects in real time. Over time, WaveLab has grown into a powerful application, featuring everything from audio file editing to multitrack processing, recording and arranging. "WaveLab 7 includes new plug-ins and now features over 30 VST3 plugs from Steinberg's DAWs." The next major thing to note is that WaveLab 7 now includes four task-specific workspace options: Audio File, Audio Montage, Batch Processor and Podcast. So, the first thing to note is that WaveLab 7 is the first major release to follow this path, and although it may well work on an earlier OS, it's only officially supported for those two.
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